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The Red, Red Robin

by Otis Infrastructure

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1.
In the aftermath of something But I can feel nothing Nothing at all The data hints at something Some shift in line Some altered arc I'll cut my finger, I'll slash my knee I want to recognize And bleed into your bleeding Blood flows from the brain An ancient circuit no one can explain But is there any pain? For a highway choked by rain Pelting down the plain A short-lived water stain I'm a short-lived water stain So obliged To watch the sunset To feel the feeling of warmth escaping Read a pamphlet Drink a cola Do the dishes Flip the channels Something vague In my brain Something vague Never conveyed Something vague Fades away The death of code The narrow frame
2.
Furniture 06:08
I am exposed To the floor, the couch, the walls, the chairs, the stove A fired flare is swallowed by the air And shocked back into me, subtly, a drone Nothing ever dies it's true Watched, taped, intruded, a furnished room Smash open the sculpture, break all glass And find my words, in writing, in a loom
3.
4.
Stay Frames 03:11
Window dressing Feigning, outside Casing, placing Smiles, racing, Heartbeat, war fleet, Main street, cold feet, Feasible, easier Spun into a spun into a... I know It'll go away So I'll blink through the red lights The ashes, the flashes, Return, to the frame Through which I saw you yesterday Removing the spaces Between us, streamlined, A slipstream, a river, A rapid, I'm vapid, No grasping, no logic, No phrasing, no language, No numbers, no numbers No numbers, no numbers... On a line On a vine An epitaph, a gorgeous graph That says I broke the plane For a second, a minute An hour, it's over now.
5.
What if a great gust of wind came and knocked that building over? Brick and stucco and bodies meshed in with the traffic Would it all be a roadblock or just a funny diversion? No cause for alarm when there's no self-harm 'Better you than me,' she say, it'd ripple through the crowd 'Better you than me,' we'd recite, feeling it now A murmur down into the subway through some power lines And back above ground Lost in the shuffle of other voices Growing muscle, getting lean, gaining light Saying the same thing, but something else entirely For awhile I lost you In that crowd It swallowed you up Spit you out Broke your limbs Cut your hair It's just your fare 'Better you than me'
6.
You can't hide from The illiterate light Clear conscience Real world bite Oozing something In the night Morning after Spurs a fight I've been known to Get real caught up With my own head Get lost in waves and words And I can swim through molten lava You can't swim through molten lava I can't hide from The illiterate light S T I M U L I Oozing something Start to cry Morning after Who died? Bleed All on the floor And out through the door The same as before Bleed All of my code It's there on the floor The same as before The same as before you
7.
Don't Do It 06:14
A tangled knot of wires Sprouting out of me Copper, rubber, power, fire A helix through my sleeve I love you, I love you, I love you, I love you But set me free Who loves you, who loves you, they'll show you they love you With sparse shocks of electricity (x2) Don't do it (x8) I'm not really sure what I want you to do So I'll latch on the landline and come back to you I'm not really sure what I want me to do So I'll crawl up the circuit and come back to you (x3)
8.
Real Time 03:10
Contract day, retrograde Will the radiation ever fade? The evening glow of the lamplit snow Watery eyes from sooty skies A fuzzy head from baseball bats You bashing, mashing autocrats Solder the wires and cue me in I'm addicted to the din I'm dying in real time Squinting hard, dried of luck Your electric fan contrives my tear ducts I'm not crying, I'm just tired It's all the same The threat of truth and who are you To claim what's real and not But real's a bygone bird that flew to fast Every sand speck rattles the hourglass But I'm living in real time In my prime I'm living in real time
9.
Bicycle spokes and water shoes Celery stalks and murder clues Very loose the endless noose Of patterns, paths, and timeless hues The deafening sound of the outside world Tiny at first and then unfurled It loved me once but then it twirled So I walked right down the lane My body is encrypted With everything predicted And when I tried to rip it up I realized that was scripted The deafening sound of the outside world Everything is the outside world Here I am in the outside world But I can't compute a thing

about

Recorded at WMUC between February and June 2015

credits

released June 25, 2015

Joey Antico- Drums, Percussion
Dean Essner- Vocals, Guitar, Keyboards, Grand Piano, Saxophone
Thomas Lardner- Keyboards, Trumpet, Trombone
Dan Singer- Bass, Cello, Keyboards, Backing Vocals
John Stackpole- Guitar, Bass, Keyboards

Nicholas Calvitt- Guitar on “Furniture” and “Don’t Do It”
Nora Keller- Violin on “I’m Always Thinking” and “Better You Than Me”

Produced + Mixed by Thomas Lardner and John Stackpole

Mastered by Steve Corrao at Sage Audio

Dialogue from Francis Ford Coppola's 1974 film "The Conversation" in "I'm Always Thinking," "The Illiterate Light" and "Encrypted Things"

Special Thanks:
WMUC, Trevor Nierendorf, Mike Houser, Robby Bowen, Phil Chinitz, Julie Kearney, Morgan Fecto, Paul Essner, Dave Jenkins, Michael Lawrence, Sean Gilmour, Kacey + Steven Stewart, Casey Whitman, and so on...

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Otis Infrastructure New York, New York

Otis Infrastructure is a three-piece experimental rock/pop trio based in Brooklyn and Jersey City.

www.instagram.com/otisinfrastructure/

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